In the captivating world of cinema, where stories unfold and histories are retold, we find ourselves drawn to 'Visitation,' a film that promises an intelligent and elegant journey through German history. Directed by the esteemed Volker Schlöndorff, known for his iconic works like 'The Tin Drum,' this movie offers a unique perspective on a century of German narrative.
'Visitation' is an adaptation of Jenny Erpenbeck's acclaimed novel 'Heimsuchung,' and it takes us on a journey through time and space, focusing on two summer houses and the lives that intertwine within them. The film's narrative structure is intriguing, observing a unity of space while time and action unfold in a more expansive manner.
The Setting and Its Significance
The film is set in and around Albert Einstein's actual summer home in Caputh, a Bauhaus-style structure designed by Konrad Wachsmann. This choice of location adds an intriguing layer to the story, as the house was built by a Nazi architect, played by Lars Eidinger, who manages to put the deeds in his fiancée's name, a move with significant consequences.
The Tragedy of the Jewish Family
Opposite the architect's modernist spread, a German Jewish cloth manufacturer builds a traditional summer hut. This proximity initially creates a sense of equality between the two families, but the rise of the Third Reich changes everything. The architect's sinister smile hints at his unhappiness, and the 'Aryanization' laws allow him to buy the neighboring land cheaply. Schlöndorff handles the tragedy of this family's story with dignified pathos, showcasing the devastating impact of Nazi policies.
Echoes of the Past
The film's lack of sentimentality is notable, especially in its portrayal of the Holocaust. Instead of sentimental narratives, we see echoes of the past through twinned shots of characters affixing stamps to letters years later. This subtle approach adds a layer of depth and emotion to the story.
The Post-War Years
As the film progresses, we witness the architect's journey to the Eastern Front and his wife's struggle to survive under Soviet occupation. The final act introduces an acclaimed left-wing writer and her family, who gain access to the house. It is their daughter, Marija, who discovers hidden letters from Doris Kaplan, a real girl whose story is woven into the film's narrative.
A Downbeat Ending
The final stretch of the film, set in the German Democratic Republic, offers a more subdued pace. Marija, a summer child questioning authority, witnesses the house slipping from her family's grasp as the wall comes down. The ending is aptly downbeat, reflecting the film's serious tone and the weight of German history.
Schlöndorff's Craftsmanship
'Visitation' is a testament to Schlöndorff's refined cinematic taste and literary adaptation skills. While it may not be his best work, it is a worthy addition to his oeuvre, showcasing his ability to craft intelligent and emotionally resonant stories. As the credits roll, one can't help but feel a sense of appreciation for a film that dares to explore the personal impact of political forces.
In my opinion, 'Visitation' is a thought-provoking film that invites viewers to reflect on history and its impact on individual lives. It is a must-watch for those seeking an intelligent and elegantly crafted cinematic experience.
